Here's a terrible way to approach a review: have almost nothing to say but few words (and here I thought I finally got over that little reviewing brain freeze I got early last year. This is going to become a bad habit, yes?). Nothing really negative, as I enjoyed reading The Forgetting, but saying, "I enjoyed the book" and leaving it at that just doesn't qualify. Someone would then most likely ask, "But why did you enjoy the book?"
I am, by no means, a fan of books that involve sex trafficking. It's a terrible thing and I really don't want to bother reading about the subject (if book club chooses a certain book from the Gateway Readers Award Nominees that's related to trafficking, I'm tucking my tail between my legs and running away).
Then again, I figured Nicole Maggi's The Forgetting would be something pretty different from other thrillers, seeing as a girl goes through a heart transplant and then suddenly starts losing some of her memories while gaining some memories of the heart's original owner. In order for Georgie to actually return back to her normal life from what she calls the "Catch" though, Georgie has to unravel how her new heart's owner really died before she loses all of her memories.
How could I have memories that didn’t belong to me? But they were there, as crystal clear as other memories I knew were mine.The Forgetting faintly reminds me of a mystery show I once watched every Sunday on CBS (to which I forgot the name of, but it was always before the 10pm news), only this is just a one time thing and everything is back to normal completely (plus, I don't think that detective actually went through a transplant. More like a gut feeling. Either that, or he's a genius). It also reminded me a little of If I Stay and Where She Went, as Georgie spends a good part of the book panicking about not making into Julliard because its been her dream to go Julliard since she was a kid.
Would I graduate on time? Ace my Juilliard audition and start there in the fall?But while Georgie seems to emphasize stressing and eventually questioning her decision to play the oboe for a lifetime after going (IF) to Julliard, it's very evenly balanced out and doesn't overshadow the overall plot of the book. (Though suddenly doing all the good stuff and whatnot is really odd unless Georgie does this on a daily basis... before the transplant.)
It is, however, pretty obvious that "Jane Doe" has unfinished business from early on in the book with the way the story plays out and how it was written (not that I mind). Some of the characters' actions do seem a little questionable – how does one not go after a person that's taking a file... and not leaving a print out? Or at least go on the hunt for the file? I mean, it's a government building! Seems a little odd they would actually let a file out and don't even try to get it back, unless it's in the future and therefore not part of the book (because what happens to Georgie after doesn't matter too much after she solves the mystery of Jane Doe's death).
Though The Forgetting is a little on the paranormal side (I haven't actually heard anything similar to Georgie's situation in real life), Maggi does convey the realities and horrors of trafficking through her latest book.